With Custom Collages for Each Album
Words and Fan Art by Iute De Picioare
Published on 23 March 2025
Lagy Gaga released “MAYHEM” on the 7th of March 2025. Original fan art by @iute_de_picioare
Cut to Eastern Europe, Spring, 2008. You’re fifteen. Probably horny, confused, and stuck in Romania where looking queer could get uncles asking questions. You’re watching MTV News (remember when MTV actually had music news?!) when suddenly, you hear 30 seconds that change your life forever.
The new artist of the week is called Lady Gaga (fantastic name). Her song “Just Dance” starts playing, and your ears have never been more excited.
The next minute you’re on the wheezing family computer, looking everywhere for more information about this “Lady” person. You find out her debut album The Fame is coming later that summer (yes!), and there’s already a snippet of “Paparazzi” online.
You hit play. That’s it. You’ve signed the contract. From now on, you’re a little monster, and there’s no turning back.
Me with bootleg Gaga merch and posters on my bedroom wall
Me after the Born This Way Ball in 2011 with the stage behind me. Shoutout to the early 2010s filter aesthetic era.
My DIY denim “Judas” jacket I wore to the concert
Gaga signing contracts
Gaga’s autograph
My Born This Way Ball tickets
“Romanian-Gaga” was the name of the Fan Forum I used to run. Sadly it does not exist anymore. This is a screenshot from my old iPod Touch
That boy was me. Gaga was an oasis for my gay teenage self, navigating me through a very tumultuous period in my life. While my classmates were inhaling Axe body spray and talking about which girls they wanted to finger, I decorated every wall in my room with posters of Gaga. I hunted down every scrap of Gaga merch I could find (not easy in early 2010s Romania). By 16, I ran the first Romanian Gaga fan forum, which brought together hundreds of fans from across the country and gave me friendships that are still flourishing today.
With every new album rollout, I’ve found myself in a different stage of life, fighting a different battle, always with Gaga as the soundtrack. Here is my ranking of Gaga albums from best to bestest, because in the Gagaverse there are no bad apples.
“Love For Sale” — Original fan art by @iute_de_picioare
“Cheek To Cheek” —Original fan art by @iute_de_picioare
“Harlequin” —Original fan art by @iute_de_picioare
“Joanne” —Original fan art by @iute_de_picioare
“Chromatica” —Original fan art by @iute_de_picioare
“The Fame” —Original fan art by @iute_de_picioare
“The Fame Monster” —Original fan art by @iute_de_picioare
“Mayhem” —Original fan art by @iute_de_picioare
“Born This Way” —Original fan art by @iute_de_picioare
“ARTPOP” —Original fan art by @iute_de_picioare
1. ARTPOP (2013)
“Applause”, please. We have a winner!
Just like on Mayhem, ARTPOP is Gaga riding through chaos. But this time, she’s on top of the car, it’s going 100km/h, and there is no driver. It’s reckless, it’s misunderstood, it’s genius.
This album (and era) tops this list for a reason. It was Gaga against the world, against her management, against the critics, against a part of her fanbase. But she trusted her fucking intuition and now we have #JusticeForArtpop trending online.
Gaga is at her best when she’s being swallowed whole by her own ambition. The feeling that something could go off the rails at any moment is what makes ARTPOP her greatest work.
Back in 2011 Born This Way grabbed us by the hair, made us look in the mirror, and preached self-love until we choked on it. It was anthemic, and it was paws-up wonderful. 14 years later Mayhem is a victory lap (big synths, big choruses, big freak energy) with a steady hand. But ARTPOP wins. ARTPOP was fearless, pure genius, out of control.
Critics loved moaning over how it “over-promised” its own brilliance, but isn’t that the point? Pop is supposed to be excess. Art is supposed to be excess. Culture is excess. In my opinion Gaga totally over-delivered. This album is a masterpiece of self-exploration and fighting demons with art. It’s heavy and hard-hitting. It’s meant to kinda make you upset. And that’s why it’s the greatest.
It failed in 2013. #JusticeForArtpop in 2025.
Love you Mother Monster,
Your devoted Slav-Monster,
I.D.P (Alex)
With Custom Collages for Each Album
Words and Fan Art by Iute De Picioare
Published on 23 March 2025
Lagy Gaga released “MAYHEM” on the 7th of March 2025. Original fan art by @iute_de_picioare
Cut to Eastern Europe, Spring, 2008. You’re fifteen. Probably horny, confused, and stuck in Romania where looking queer could get uncles asking questions. You’re watching MTV News (remember when MTV actually had music news?!) when suddenly, you hear 30 seconds that change your life forever.
The new artist of the week is called Lady Gaga (fantastic name). Her song “Just Dance” starts playing, and your ears have never been more excited.
The next minute you’re on the wheezing family computer, looking everywhere for more information about this “Lady” person. You find out her debut album The Fame is coming later that summer (yes!), and there’s already a snippet of “Paparazzi” online.
You hit play. That’s it. You’ve signed the contract. From now on, you’re a little monster, and there’s no turning back.
Me with bootleg Gaga merch and posters on my bedroom wall
Me after the Born This Way Ball in 2011 with the stage behind me. Shoutout to the early 2010s filter aesthetic era.
My DIY denim “Judas” jacket I wore to the concert
Gaga signing contracts
Gaga’s autograph
My Born This Way Ball tickets
“Romanian-Gaga” was the name of the Fan Forum I used to run. Sadly it does not exist anymore. This is a screenshot from my old iPod Touch
That boy was me. Gaga was an oasis for my gay teenage self, navigating me through a very tumultuous period in my life. While my classmates were inhaling Axe body spray and talking about which girls they wanted to finger, I decorated every wall in my room with posters of Gaga. I hunted down every scrap of Gaga merch I could find (not easy in early 2010s Romania). By 16, I ran the first Romanian Gaga fan forum, which brought together hundreds of fans from across the country and gave me friendships that are still flourishing today.
With every new album rollout, I’ve found myself in a different stage of life, fighting a different battle, always with Gaga as the soundtrack. Here is my ranking of Gaga albums from best to bestest, because in the Gagaverse there are no bad apples.
“Love For Sale” — Original fan art by @iute_de_picioare
“Cheek To Cheek” —Original fan art by @iute_de_picioare
“Harlequin” —Original fan art by @iute_de_picioare
“Joanne” —Original fan art by @iute_de_picioare
“Chromatica” —Original fan art by @iute_de_picioare
“The Fame” —Original fan art by @iute_de_picioare
“The Fame Monster” —Original fan art by @iute_de_picioare
“Mayhem” —Original fan art by @iute_de_picioare
“Born This Way” —Original fan art by @iute_de_picioare
“ARTPOP” —Original fan art by @iute_de_picioare
1. ARTPOP (2013)
“Applause”, please. We have a winner!
Just like on Mayhem, ARTPOP is Gaga riding through chaos. But this time, she’s on top of the car, it’s going 100km/h, and there is no driver. It’s reckless, it’s misunderstood, it’s genius.
This album (and era) tops this list for a reason. It was Gaga against the world, against her management, against the critics, against a part of her fanbase. But she trusted her fucking intuition and now we have #JusticeForArtpop trending online.
Gaga is at her best when she’s being swallowed whole by her own ambition. The feeling that something could go off the rails at any moment is what makes ARTPOP her greatest work.
Back in 2011 Born This Way grabbed us by the hair, made us look in the mirror, and preached self-love until we choked on it. It was anthemic, and it was paws-up wonderful. 14 years later Mayhem is a victory lap (big synths, big choruses, big freak energy) with a steady hand. But ARTPOP wins. ARTPOP was fearless, pure genius, out of control.
Critics loved moaning over how it “over-promised” its own brilliance, but isn’t that the point? Pop is supposed to be excess. Art is supposed to be excess. Culture is excess. In my opinion Gaga totally over-delivered. This album is a masterpiece of self-exploration and fighting demons with art. It’s heavy and hard-hitting. It’s meant to kinda make you upset. And that’s why it’s the greatest.
It failed in 2013. #JusticeForArtpop in 2025.
Love you Mother Monster,
Your devoted Slav-Monster,
I.D.P (Alex)
[you might also like]
all of the following links lead to our web-shop.
Choose carefully.
Limited print edition18+Adult contentNSFWFull frontalFull everythingFluid bodiesBody fluidsElegant layout designUndressed content180 pagesSweet and saltyClick it!Almost thereI’m over 18Buy magazineEnter shopExplore storeNSFW warningAdult onlyProceedI consentShow meReveal allExplore moreMature contentUncensoredPrint magazineContinueI understandI AcceptAgreeBuy now
issue #1
WRITERS
Steve Marais
Pedro Vasconcelos
PHOTOGRAPHERS
Steve Marais
martt
Marc Turlan
Anton Collatéral
TYPEFACES
Dunbar tall
Swear Display
Freight Text
Helvetica Neue
Feral Magazine & Heavy Feral © 2025
All rights reserved to the authors, artists, and photographers. No reproduction without permission.
Feral Magazine c/o Steve Marais
Rubensstraße 92
12157 Berlin
Germany
Feral Magazine and HeavyFeral are published independently by
Steve Marais
For general enquiries, please contact:
contact@heavyferal.com
For submission enquiries, go to our submissions page or contact:
submissions@heavyferal.com
For press, wholesale and advertising enquiries, please use:
contact@heavyferal.com and
fyi@stevemarais.com
Feral is active on the following horrible social media platforms
EDITOR
Steve Marais
WEB DESIGN
Steve Marais
using Lay Theme
by 100K Studio
PROOF READER
Felix Carmichael
FEATURED LIST
(In Print)
Anton Collatéral
Chad Payne
Gabriel
John Henry
Marc Terblanche
Marian Rey
Nino ‘Zingce’ Maphosa
Olga Mazur
Orel Regev
Patrick French
Pothead Homosexual
Raphael Blues
Rico Barlow
Roman Hanak
Sven Ironside
Weronika Wood
Zachary Wilcox
And more
[you might also like]
Feral Magazine c/o Steve Marais
Rubensstraße 92
12157 Berlin
Germany
Feral Magazine and Feral Online are published independently by
Steve Marais
For general enquiries, please contact:
contact@heavyferal.com
For submission enquiries, go to our submissions page or contact:
submissions@heavyferal.com
For press, wholesale and advertising enquiries, please use:
contact@heavyferal.com and
fyi@stevemarais.com
Feral is still active on the following horrible social media platforms