

Artist Marc Turlan exhibits
“Cruising Giardini” at CASETTA STUDIO
Photos by Marc Turlan
Words by Steve Marais
Exhibition at CASETTA STUDIO until 30 September 2025
(Viewable by appointment)
Curated by Anton (Collatéral) Sibenaler
In short: Marc Turlan photographs his friends, lovers, and his actual husband and exhibits all the horny evidence life-sized at CASETTA STUDIO, located in a dead olive-tree plague zone in Italy’s deep south where agricultural monoculture spectacularly failed. His exhibition “Cruising Giardini” runs by appointment until September 30, 2025. Cosimo and Emanuele, the two queer Italian founders with big dreams and private funds, are grafting homosexual desire onto this ecological disaster zone. They’re showcasing Pasolini-inspired erotic obsessions and eco-sex pioneering that turns cruising into resistance and resistance into hope and agricultural collapse into an untamed garden of queer possibility that’s definitely not safe for work. The whole thing was curated by Turlan’s friend and muse Anton Sibenaler (Collatéral), who’s also a Feral contributor, and below is plenty of visual evidence of Anton’s HARD work during the setup of the exhibition.
There’s a new art space in the far reaches of Southern Italy where millions of dead olive trees frame photographs of men having sex. CASETTA STUDIO sits in the middle of an ecological disaster zone where a plague of near biblical proportions has ravaged the olive groves. This summer, photographs of naked men hang among the devastation—some with erections, others mid-fuck—made all the easier to spot through the destruction.


At the centre of it all is French artist Marc Turlan. His work is direct. The site-specific installation features men, naked or nearly so, and he wants you to know it’s about cruising. “Cruising is universal,” he says. “I think art and cruising are closely related in how they both engage with desire. It’s free, intense, and wild.” The photographs hang life-size on fabric and in poster format, covering the inside and outside walls. They’re shown alongside mosaic works inspired by four authors central to Turlan’s practice: Pier Paolo Pasolini, Hervé Guibert, Sarah Kane, and Marguerite Duras.
What does this have to do with a dying Italian orchard? That’s the mission of founders Cosimo Caroppo and Emanuele Gatto. CASETTA STUDIO opened in March 2024 on the Salento peninsula, where monoculture has spectacularly failed. Their big idea is something they call “grafting”—forcing something new onto something old. They want to graft a queer perspective onto a place of binarism, neglect, and monoculture. “This age-old monoculture thinking is killing our landscape,” they say.

CASETTA STUDIO founders Emanuele and Cosimo


Serious business. Anton and the CASETTA boys planning the exhibition
One of the founders, Emanuele Gatto, is Puglian. His own art digs deep into regional and queer identity. The project is deeply personal—the building was almost his private studio. “It was limiting for me to think of making it a painting studio just for me,” he says. Instead, after discussions with Caroppo about the “urgency of identity and queer art in the south, the space became collective.” Their goal isn’t to hide. “Our ambition is to shine a spotlight on this place and on these stories of queer life, so that people pass by here without being indifferent.”

They’re thinking big. The project aims to connect the “local and global South.” The summer program kicked off in July with PROIEZIONI D’ESTATE, a night of video screenings. They showed “Imagine The Earth Is Your Lover” curated by eco-sex pioneers Annie Sprinkle and Beth Stephens, alongside “Fixations,” a series about erotic obsessions curated by BUTT magazine.


Turlan’s exhibition recreates a cruising space around Casetta Studio. “I find these places fascinating,” he says. Inspired by Derek Jarman, he explores the idea of a cruising garden: raw and untamed. The result is Cruising Giardini. The men in his photographs are people he’s met since 2019—friends, lovers, and even his husband. Also featured is curator Anton (Collatéral) Sibenaler, whom he’s photographed for years. “This collaboration is a new chapter in our friendship,” Turlan explains. “And gay friendships are one of the most important things.”
Putting this kind of desire on display comes with responsibility. Turlan calls himself a “slow” photographer who never takes “stolen” photos. “I asked the models for their consent beforehand. Many gay men understand the importance of being represented.”









Curator, muse and feral contributor Anton Sibenaler (Collatéral) documented by Marc Turlan during the setup of Cruising Giardini at CASETTA STUDIO
During installation, locals showed curiosity. “People were peeking over the wall,” Turlan notes. The local community seems to get it—the founders report that their audience is “impressed by how the images dialogue with the external environment,” seeing the erotic nudes as part of a “broader whole.” On opening night, “two boys climbed onto the outer wall and used their phone lights to illuminate the photos after dark, as if exploring a cave.” One young visitor inside passionately commented on each photo in Italian. “I didn’t understand his words, but seeing his energy and his friends’ reactions delighted me,” Turlan recalls.


Could the collapse of the olive groves mirror other failing systems—social, cultural, sexual? Turlan flips the idea. Instead of queer communities being fragile like dying trees, he thinks queer resilience could become a model for ecological recovery. “In Casetta’s garden, more than 90 trees have been replanted. That’s resistance, that’s hope! “The queer narrative is under attack everywhere,” Turlan acknowledges. “But resistance is also taking root everywhere.”


How do they fund this brave experiment? “Casetta Studio is currently a private project,” the founders state simply. “Our resources come from our own funds and donations from supporters.” It’s an operation funded by belief, and the freedom has in turn invigorated Turlan. “This project has made me want to discover even more cruising spaces! ;)”, he says with a winking emoji.
The exhibition is viewable by appointment until September 30.


Artist Marc Turlan exhibits
“Cruising Giardini” at CASETTA STUDIO
Photos by Marc Turlan
Words by Steve Marais
Exhibition at CASETTA STUDIO until 30 September 2025
(Viewable by appointment)
Curated by Anton (Collatéral) Sibenaler
In short: Marc Turlan photographs his friends, lovers, and his actual husband and exhibits all the horny evidence life-sized at CASETTA STUDIO, located in a dead olive-tree plague zone in Italy’s deep south where agricultural monoculture spectacularly failed. His exhibition “Cruising Giardini” runs by appointment until September 30, 2025. Cosimo and Emanuele, the two queer Italian founders with big dreams and private funds, are grafting homosexual desire onto this ecological disaster zone. They’re showcasing Pasolini-inspired erotic obsessions and eco-sex pioneering that turns cruising into resistance and resistance into hope and agricultural collapse into an untamed garden of queer possibility that’s definitely not safe for work. The whole thing was curated by Turlan’s friend and muse Anton Sibenaler (Collatéral), who’s also a Feral contributor, and below is plenty of visual evidence of Anton’s HARD work during the setup of the exhibition.
There’s a new art space in the far reaches of Southern Italy where millions of dead olive trees frame photographs of men having sex. CASETTA STUDIO sits in the middle of an ecological disaster zone where a plague of near biblical proportions has ravaged the olive groves. This summer, photographs of naked men hang among the devastation—some with erections, others mid-fuck—made all the easier to spot through the destruction.


At the centre of it all is French artist Marc Turlan. His work is direct. The site-specific installation features men, naked or nearly so, and he wants you to know it’s about cruising. “Cruising is universal,” he says. “I think art and cruising are closely related in how they both engage with desire. It’s free, intense, and wild.” The photographs hang life-size on fabric and in poster format, covering the inside and outside walls. They’re shown alongside mosaic works inspired by four authors central to Turlan’s practice: Pier Paolo Pasolini, Hervé Guibert, Sarah Kane, and Marguerite Duras.
What does this have to do with a dying Italian orchard? That’s the mission of founders Cosimo Caroppo and Emanuele Gatto. CASETTA STUDIO opened in March 2024 on the Salento peninsula, where monoculture has spectacularly failed. Their big idea is something they call “grafting”—forcing something new onto something old. They want to graft a queer perspective onto a place of binarism, neglect, and monoculture. “This age-old monoculture thinking is killing our landscape,” they say.

CASETTA STUDIO founders Emanuele and Cosimo


Serious business. Anton and the CASETTA boys planning the exhibition
One of the founders, Emanuele Gatto, is Puglian. His own art digs deep into regional and queer identity. The project is deeply personal—the building was almost his private studio. “It was limiting for me to think of making it a painting studio just for me,” he says. Instead, after discussions with Caroppo about the “urgency of identity and queer art in the south, the space became collective.” Their goal isn’t to hide. “Our ambition is to shine a spotlight on this place and on these stories of queer life, so that people pass by here without being indifferent.”

They’re thinking big. The project aims to connect the “local and global South.” The summer program kicked off in July with PROIEZIONI D’ESTATE, a night of video screenings. They showed “Imagine The Earth Is Your Lover” curated by eco-sex pioneers Annie Sprinkle and Beth Stephens, alongside “Fixations,” a series about erotic obsessions curated by BUTT magazine.


Turlan’s exhibition recreates a cruising space around Casetta Studio. “I find these places fascinating,” he says. Inspired by Derek Jarman, he explores the idea of a cruising garden: raw and untamed. The result is Cruising Giardini. The men in his photographs are people he’s met since 2019—friends, lovers, and even his husband. Also featured is curator Anton (Collatéral) Sibenaler, whom he’s photographed for years. “This collaboration is a new chapter in our friendship,” Turlan explains. “And gay friendships are one of the most important things.”
Putting this kind of desire on display comes with responsibility. Turlan calls himself a “slow” photographer who never takes “stolen” photos. “I asked the models for their consent beforehand. Many gay men understand the importance of being represented.”









Curator, muse and feral contributor Anton Sibenaler (Collatéral) documented by Marc Turlan during the setup of Cruising Giardini at CASETTA STUDIO
During installation, locals showed curiosity. “People were peeking over the wall,” Turlan notes. The local community seems to get it—the founders report that their audience is “impressed by how the images dialogue with the external environment,” seeing the erotic nudes as part of a “broader whole.” On opening night, “two boys climbed onto the outer wall and used their phone lights to illuminate the photos after dark, as if exploring a cave.” One young visitor inside passionately commented on each photo in Italian. “I didn’t understand his words, but seeing his energy and his friends’ reactions delighted me,” Turlan recalls.


Could the collapse of the olive groves mirror other failing systems—social, cultural, sexual? Turlan flips the idea. Instead of queer communities being fragile like dying trees, he thinks queer resilience could become a model for ecological recovery. “In Casetta’s garden, more than 90 trees have been replanted. That’s resistance, that’s hope! “The queer narrative is under attack everywhere,” Turlan acknowledges. “But resistance is also taking root everywhere.”


How do they fund this brave experiment? “Casetta Studio is currently a private project,” the founders state simply. “Our resources come from our own funds and donations from supporters.” It’s an operation funded by belief, and the freedom has in turn invigorated Turlan. “This project has made me want to discover even more cruising spaces! ;)”, he says with a winking emoji.
The exhibition is viewable by appointment until September 30.

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Germany
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